从张晓峰的“江南丝竹”乐创作谈起.doc

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  • 更新时间:2014-04-22
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摘要:一些因特定的地理环境,历史悠久而又蕴藏丰富的民间音乐的品种,常以其浓烈醇厚的乐风,诠释出某种地域文化的精神和个性,成为地域文化的代表和标志。古人云“听丝竹之声,而天下治。”流传在苏南、上海、浙江交汇地带的“江南丝竹”就是自然和人文背景的沐浴滋润下于明清间脱颖而出的传统艺术形式。江南丝竹乐使用的乐器简便易得,演奏形式灵活多变,音乐风格清新活泼,细致秀雅曲调柔和婉转,成为江南地区地域文化在音乐方面的一个典型代表。

关键词:地域文化;江南丝竹;典型代表

 

Abstract: A variety of folk music with long history always shows the spirit and feature of culture, by the distinct music style for the special geography condition. Then becoming the regional culture’s symbol. It said that, listening to the music and the country will be governed very well then. The traditional stringed and woodwind instruments appeared between Ming Dynasty and Qing Dynasty popularized among the people in the South Jiangsu, Shanghai and Zhejiang, and becoming outstanding on account of the natural and humanity background. The traditional stringed and woodwind instruments can be obtained easily, while the way of playing is varied. What’s more, the music style is vivid, noble and graceful, and the melody is soft. It becomes a typical model of regional culture of south of the Yangtze River.

Key words: Regional culture;  The jiang nan si zhu;  The typical mode


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