论萧红创作思想的转变(从革命性到国民性).doc

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【摘要】无论从创作格调还是主题追求方面看,萧红前后期作品都有着巨大差异,从《生死场》到《呼兰河传》,萧红没有继续“革命”这一潮流主题,也没有歌颂与赞扬,而是转而关注国民弱点,关注这一时期个体的精神创伤。萧红前期的作品表现阶级性与革命性,笔法粗糙幼稚却引起巨大轰动,是因为符合时代的潮流以及受到鲁迅等左翼作家的推崇。后期表现国民性,是因为与萧军关系的破裂,以及受鲁迅的影响。萧红是鲁迅精神最好的发现者和继承者,她以自己独特的魅力,在中国文学史上留下了重重一笔。

【关键词】 萧红; 革命性; 国民性; 转变

 

【Abstract】There are great differences between the earlier and later arts of Xiaohong, either from the aspect of creative style or theme pursuit. Revolutionary Character, the topic of tidal current, is not continued by Xiaohong, from Fields of Life and Death to Biography Of The Hulan River. Nor is the topic of praise. Instead the weakness of national character is focused on. Hurts of individual spirit during that period is discussed. The earlier arts of Xiaohong shows the Revolutionary Character and Class Character.The writing way seems rough and babyhood,but creats a big sensation.Because the arts accord with th trend of th times and are recommended by Left-wing writers like Luxun.The later arts of Xiaohong shows National Character,because of the rupture of Xiaojun and the the influence of Luxun.Xiaohong is the best finder and heir of Luxun.By right of her unique charm,Xiaohong produces a great impact in modern chinese literature history.

【Key words】Xiaohong; Revolutionary Character; National Character; Luxun; Transformation


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