《第二十二条军规》的后现代主义解读_英语论文.doc

  • 需要金币1000 个金币
  • 资料目录论文助手 > 外语研究 > 英语论文网站 >
  • 转换比率:金钱 X 10=金币数量, 例100元=1000金币
  • 论文格式:Word格式(*.doc)
  • 更新时间:2017-10-08
  • 论文字数:8053
  • 课题出处:(梦溪)提供原创资料
  • 资料包括:完整论文

支付并下载

Abstract: Joseph Heller is a well-known American writer. His representative work Catch-22 is reputed as “The Epic of the Sixties”. It is an excellent postmodernist work which has attracted much critical attention and praise. Indeterminacy represents the result of the disappearance of center and of ontology which fits to the spirits of postmodernism---clearing up center and dispelling all the order and constitute. Indeterminacy plays a prominent role in Catch-22, which makes the characteristics and the images of the characters in the novel more outstanding, and also makes the character relationship more complicated. This paper aims to analyze the indeterminacy and its aesthetic characteristics of Catch-22 from the perspective of postmodernism and the literary role of indeterminacy in Catch-22. 

 

Key words: Catch-22; postmodernism; indeterminacy; Joseph Heller

 

Contents

Abstract

中文摘要

1. Introduction-1

2. The Postmodernism-3

2.1 Definition of Postmodernism-3

2.2 Features of Postmodernism-4

3. The Postmodernist Indeterminacy in Catch-22-5

3.1 Indeterminacy of Languages-5

3.1.1 Ambiguous Language-5

3.1.2 Paradoxical Language-7

3.2 Indeterminacy of Characters-8

3.2.1 Indeterminacy of Identity-8

3.2.2 Indeterminacy of Character Relationships-9

3.3 The Indeterminacy of Plots-10

3.3.1 Fragmentary Plot-11

3.3.2 Open Ending-12

3.4 Indeterminacy of Themes-12

3.4.1 Indeterminate Theme of Atheism-13

3.4.2 Indeterminate Theme of Brutality-14

4. The Literary Role of Indeterminacy in Catch-22-15

5. Conclusion-16

References-18


支付并下载

提示:本站支持手机(IOS,Android)下载论文,如果手机下载不知道存哪或打不开,可以用电脑下载,不会重复扣费